Each of these panels took up a whole page, so I was able to “breath” more in my linework. It was around this time I discovered just how tedious it is to do even a little bit of stippling, though the result tends to be cool (especially when done a lot better than what I can do). I’m overall mostly happy with my lines, textures, gesture and anatomy in these two panels (even if some of the proportions might be wonky). I think I managed to employ the previously discussed technique of adding little triangular jaggy bits to some of the contour lines (in order to create a sense of volume) without going over board.